The Making of the New Man in Contemporary African Fiction: A Reading of J.M. Coetzee’s Disgrace

Authors

  • Christabel Aba Sam University of Cape Coast, Ghana.

DOI:

https://doi.org/10.47963/jla.v1i1.86

Keywords:

Coetzee, Disgrace, Masculinity, Futurity South Africa, Spatial Dynamics

Abstract

Critical works on Coetzee’s Disgrace shows that the novel constructs a distressing picture of the conditions in post-apartheid South Africa –tabling his attempts at blurring national enthusiasm, creating racial stereotypes and consequently damaging the hopes of the new South Africa.  However, a re-reading of the novel reveals that the survival of post-apartheid South Africa reside in the potential of a willing unity of racial bodies and a careful re-definition of masculinity vis-à-vis spatial re-configurations. Drawing on the concept of futurity and Frantz Fanon’s idea of the new man, this paper argues that the correlation between forms of community and forms of masculinity provide basis for re-configuring social cohesion in post-apartheid South Africa.

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Author Biography

Christabel Aba Sam, University of Cape Coast, Ghana.

Christabel Aba Sam is a PhD student in the Department of English of the University of Cape Coast, Ghana. Her areas of specialization include Masculinity Studies, Postcolonial Futures and Contemporary African Literature. She holds a Bachelors of Education (English option) and MPhil degrees from the University of Cape Coast where she currently works as an Assistant Lecturer in the Department of English.  She teaches Gender and Writing, Aspects of Postcolonial Literature and Principles of Prose Fiction to undergraduate and graduate students.

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Published

2019-12-19

How to Cite

Sam, C. A. (2019). The Making of the New Man in Contemporary African Fiction: A Reading of J.M. Coetzee’s Disgrace. KENTE - Cape Coast Journal of Literature and the Arts, 1(1), 59–73. https://doi.org/10.47963/jla.v1i1.86